By Fernando Poyatos
After the numerous interdisciplinary views on nonverbal conversation provided by means of the writer in his prior seven John Benjamins books, that have generated quite a lot of scholarly purposes, the current monograph is ruled via a truly huge proposal of translation. This remedy of translation comprises theater and cinema (enriching our intellectual-sensorial event of either 'reading act' and 'viewing act') and provides between different subject matters: sensorial-intellectual-emotional pre- and post-reading interactions with books; mute or audible 'oralization' of texts; the translator's linguistic and nonverbal-cultural fluency and implicit textual paralanguage and kinesics; translating services of pictorial illustrations; the blind's textual content and picture belief; the international reader's cultural heritage and conditions; theater and cinema spectators' overall sensory-intellectual event of performs and flicks past staging or projection; the a number of interrelationships among cinema and theater performers, spectators and their environments, of targeted curiosity to all these concerned about the theater; and the translator's demanding textual notion of sounds and hobbies. Over 800 literary quotations, and nearly exhaustive English inventories of sound- and movement-denoting phrases with many examples, provide critical scholars of translation, language or literature a wealthy reference and drill resource.
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